Review: Doctor Who Series 9: Episode 1 – The Magician’s Apprentice

Hello friends and fellow Whovians. While I don’t like to post spoilerific reviews, there may be a few tidbits given away in this one. If you haven’t seen the Doctor Who Series 9 opening episode, Magician’s Apprentice, proceed at your own risk. – SylverWhisper

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Sarah Jane Smith (Elisabeth Sladen), The 4th Doctor (Tom Baker) and U.N.I.T.’s own Dr. Harry Sullivan (Ian Marter) in a powerful scene from Genesis of the Daleks (1975)

You see, if someone who knew the future, pointed out a child to you and told you that that child would grow up totally evil, to be a ruthless dictator who would destroy millions of lives… could you then kill that child?”
The 4th Doctor in Genesis of the Daleks

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The 12th Doctor (Peter Capaldi) on Skaro

Painful Realizations…
The Magician’s Apprentice starts off Series 9 with more of a bang than a whimper, from the word go, on a war-torn planet in the heat of battle. A little boy is running for his life from sounds of weapon fire. We don’t know who the little boy is (not yet) and we fear for his life, as does a ragged young soldier attempting to rescue him, only to succumb to deadly hand-mines (you read that correctly), land mines in the form of creepy hands reaching up from the ground to grab you and pull you under. When The Doctor arrives on the scene, he’s too late to save the soldier, but not the little boy, only to find out the boy’s true identity… and OUCH, what a realization that is…

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Younger (angrier) Kate Lethbridge-Stewart in Downtime, portrayed by Beverley Cressman, Kate from the current series (Jemma Redgrave) in the middle, and Brigadier Alastair Gordon Lethbridge-Stewart (as portrayed by the late, great Nicholas Courtney).

The Family Business…
Meanwhile, back at U.N.I.T. HQ (haven’t seen Torchwood make an appearance in a while), the United Nations Intelligence Taskforce is investigating the mystery of planes hovering in the sky, apparently “frozen in time”, as they desperately try to call The Doctor (their former “scientific advisor”) for help.

Kate Lethbridge-Stewart (Jemma Redgrave), as many of us know by now, has taken up her father’s mantle (I miss The Brigadier terribly and keep hoping former U.N.I.T members like Sergeant Benton, Jo Grant and Mike Yates will show up). It’s ironic, given their initially tumultuous relationship, as revealed in earlier classic episodes and spin-off media (Downtime), The Brig and his kid had a rocky road.

However, it’s great to have a Lethbridge-Stewart in command of U.N.I.T. again, but to see her team falter (when trying to locate the missing 12th Doctor) only to have Clara point them in the right direction, while it’s great to see Clara step up and take charge, seemed a bit off. I want my U.N.I.T. to be more on the ball. Or at the very least, to show a bit more fire when a civilian starts pushing them around! Get it together, U.N.I.T.! Where’s Brigadier Bambera (Angela Bruce) from the 7th Doctor story Battlefield? She wouldn’t take sh*t from anyone, not even Clara Oswald.

I would like to see more of that friction/friendship between the U.N.I.T team and The Doctor again – showing both sides of an argument. It was the backbone of The Doctor’s relationship with The Brigadier, someone he respected, even when they disagreed. However, there was no doubt The Brigadier was a fighter and a leader, and loyal to The Doctor ’til the end. I want to see a more bad-ass Kate. I want to see her on the battlefield, like her father – right in the thick of it – not just in a control center away from the action.

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Terry Molloy as Davros and Peter Davison (my Doctor) as the 5th Doctor facing off in Resurrection of the Daleks (1984).

“I’m not here as your prisoner, Davros, but your executioner.
– The 5th Doctor in Resurrection of the Daleks (1984)

The Moral Dilemma…
For those who had a chance to see the Series 9 opener, the themes in Magician’s Apprentice may seem familiar. They should, even for the non-classic era Whovian. The Doctor has struggled to make a final decision to take out The Daleks (and Davros) before they could become too powerful and wipe out whole worlds over several incarnations.

The question that keeps haunting The Doctor, especially since the 4th Doctor story Genesis of the Daleks (a clip from that story is featured in this episode) is – can/should time travel be used to re-write some of history’s most tragic wrongs and change the course of its bloodiest events. Can a time traveller prevent evil dictators from committing atrocities that would kill thousands, perhaps even millions, or down the line, billions upon billions of innocents?

However, aren’t those events meant to be “time-locked” (as we’ve heard often in Doctor Who – only to have the greatest of time-locked events changed – The Time War itself) due to their scope? How will the outcome of those events shape the future of others for generations to come? Perhaps for the better? Who has the right to make that call? Does The Doctor (aka The Lonely Angel, aka The Oncoming Storm) have that right?

Of course I’ve always wanted to see The Doctor go back in time to stop Hitler and the rise of Nazi Germany. Instead, we have Davros and the Daleks to take their place. The Doctor has had many opportunities to avert the Daleks’ creation by destroying their creator, yet he has always failed, often due to his own lack of action.

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The Time Lords of Gallifrey (Timothy Dalton in the center as the Lord President of the High Council) from the 10th Doctor (David Tennant) finale The End of Time (2009-2010).

Then came the Time War… and the greatest regret for The Doctor. It cannot have escaped him that his earlier selves could have prevented The Time War and the eradication of countless worlds, including The Fall of Gallifrey (yes, I know it “falls no more” but bear with me here).

When you meddle in time, which version of events do you choose to influence? The moral dilemma keeps coming up: which timeline is worth preserving? Or meant to be preserved? We’ve seen it in come up in Doctor Who over and over again and we’ve seen this play out in other shows as well – Star Trek, Heroes, Continuum – after all, it’s the Butterfly Effect. Change a tiny event in the past and it can have dire consequences in the future.

The Time Lords had a strict “non-intervention” policy, but they’re not around to enforce it now. And let’s face it, the Gallifreyans did in fact interfere, using the CIA (Celestial Intervention Agency), when convenient, and then disavowed any knowledge of wrongdoing. So we don’t know how many events they actually shaped to their liking, but they had knowledge and oversight the average person would not possess.

The Doctor, as a Time Lord, has a sense of responsibility to keep timelines stable and in tact. But he’s been known to meddle, again, because he can see the fabric of space and time and which events are “time-locked”. If he wanted to, he could have gone back to save former companions Adric (Matthew Waterhouse), Katarina (Adrienne Hill) and other people he cared for, from dying, but wouldn’t dare contravene the The First Law of Time.

That Was Then. This is Now…
As The Doctor has grown older, he’s become more flexible when it comes to bending these laws. Perhaps, he’s grown more unstable himself. In his 9th incarnation, it was fair to say he was suffering from PTSD from the Time War and from the actions he remembered taking as The War Doctor (as we now know, he remembers incorrectly, as we learned from The 50th Anniversary Special with John Hurt). He has since, tried to redeem himself (in his 10th and 11th incarnations), but the pain and regret still linger…

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Missy (Michelle Gomez)

Friends and Foes…
When faced with another chance to rid the world of Davros, which road will The Doctor choose? Or did he already make that choice without realizing the consequences? The Doctor is not a murderer. He is most certainly not a child-killer, as he states in his speech in Genesis of the Daleks. But is willful neglect the same as murder? And was he, inadvertently, the architect of the very future he attempted to stop? And what happens once he realizes that abandoning that child on the battlefield of that war-torn planet, Skaro, left a fractured being that would go on to become one of his most despised enemies? Will he go back in time and finally make that one terrible choice? Will he kill an innocent child?

We know that’s not The Doctor’s style. Right? That’s The Master’s style, or in this case Missy’s (Michelle Gomez), whose relationship with The Doctor seems more grey than ever before. There is a precedent for this. The earlier Jon Pertwee incarnation and Roger Delgado’s Master had a friendly rivalry and a grudging respect for one another, that sadly, we never saw developed further once Roger Delgado passed away. Though Michelle Gomez is brilliant and gives us plenty of laughs and gasps, I miss Roger Delgado’s saner, charismatic version of The Master to this day. I imagine there’s a reason for Missy’s sudden attacks of nostalgia and sentimentality for The Doctor’s friendship in this incarnation (she keeps referring to their friendship in Magician’s Apprentice). Will she be the voice of reason this time around? Can she, of all people, save The Doctor from himself?

Time’s Champion? Or Time’s Bitch?
When all’s said and done, the question we’re left with – are we all time’s bitch? Are events pre-determined? Are we all just pawns with our role to play? Even The Doctor? Are certain truths inevitable? Are The Daleks inevitable? Or can their course be altered? Should it be? Should that timeline be tampered with? Even to destroy possibly the greatest evil that has ever lived? And what repercussions will that have for the rest of the universe?

We’ll find out tonight when Part 2 – The Witch’s Familiar airs.

Fore more, check out the Series 9 Episode 2: The Witch’s Familiar trailer of Doctor Who below.

Doctor Who Series 9 airs on BBC America on Saturdays at 9 pm ET, while British fans can see it on Saturday evenings on BBC One.

Into the Heart of Doctor Who: Into the Dalek

Apologies for the late, post Labor Day check-in, fellow Whovians, but here are my thoughts on last week’s episode of Doctor Who: Into the Dalek – just in under the wire – written by Phil Ford and Steven Moffat.

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Not Just for Kids…
Many fans of the series, like myself, grew up with Doctor Who (we’re loyal to the last). Things that frightened us (or made us hide behind the couch) as children, no longer scare us. Suspending our disbelief was a lot easier when we were young. And while it’s true, kids are more sophisticated now, and special effects have evolved, there are certain truths that reach deep inside and take hold of us all… shaking us to the core.

There has been some debate whether or not Doctor Who is a kid’s show. From the outset, Doctor Who was designed to be, and still is, a family show – meant to appeal to both children and adults for different reasons. It is meant to entertain us, frighten us, and move us… meant to make us feel… whether we want to or not. I doubt there was anyone who didn’t shed a tear when Adric died (Earthshock), even if you had mixed feelings about him. That last shot of his shattered Badge for Mathematical Excellence lying on the ground, as silent credits roll by, still stirs strong feelings in me years later.

I grew up during the Philip Hinchcliffe era and was introduced to Doctor Who via episodes like The Talons of Weng Chiang and The Brain of Morbius. With an overdeveloped fondness for Hammer films, I am particularly predisposed to enjoy the darker, more horrific side of the Whoniverse.

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That being said, Doctor Who always finds a way to get me, even now… because at its core, it wrestles with moral dilemmas we all wrestle with. It moves us deeply on an emotional level. Doctor Who can hit you hard, usually when you least expect it.

In spite of The Doctor’s vast age, Death is always at his shoulder, his constant companion. As we got older, we started to realize our hero is a rather complex man with demons and secrets (beyond his birth name) of his own. He lives more in the gray than we’d like to admit, and with a darkness in his hearts even he would rather not look too closely at. Perhaps that’s why he is always running…

Nature vs. Nurture…
Into the Dalek resonates for me on an emotional level and harkens back to earlier episodes of Doctor Who. Reminiscent of the themes presented in Genesis of the Daleks (Tom Baker – The 4th Doctor), Resurrection of the Daleks (Peter Davison – The 5th Doctor) and Dalek (Chris Eccleston – The 9th Doctor), and the moral dilemmas therein.

The Doctor struggles in all three stories with his hatred of the Daleks, and with the right course of action take. Whichever way he turns, even the audience is uncertain. Should he have aborted the development of the Daleks in Genesis, or killed Davros in Resurrection? He chose the to take the moral high ground in both those stories, only to be faced with a surviving Dalek after the Time War in Dalek. He had to have wondered then if his inability to take action on those previous occasions could have prevented that fateful day, leading to the Fall of Arcadia on Gallifrey, and the destruction of his world.

These themes come up again in Into the Dalek. The Doctor is forced to help an injured enemy, and in doing so, it challenges him look into to the depths of his own soul. Is there such a thing as absolute evil? Is everyone, even a Dalek, capable of redemption? Can there be such a thing as good Dalek? Or, no matter how much it changes, at its core, does it remain the same – a hate-filled killing machine, bent on destruction? When it comes down to it, the real question seems to be – is The Doctor a good man? He wonders himself and that question troubles him. Even his dear friend and carer, Clara, is not certain…

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Samuel Anderson as Coal Hill School teacher Danny Pink

Not the Tin Dog!
I like Clara feisty. No longer the fawning girl with a crush, she puts The Doctor in his place when he gets out of hand. She isn’t afraid to slap some sense into him, much like former companion Donna Noble (played by the indomitable Catherine Tate). Clara is more than his carer, she’s become his moral compass. Because as Donna once observed, The Doctor shouldn’t travel alone – he needs someone – someone to keep him grounded, someone to hold onto, and keep him from slipping deeper into the void.

Our brief introduction to Danny Pink (played by Samuel Anderson) was promising. A fellow teacher at Coal Hill School (the same school Susan, The Doctor’s granddaughter, attended on Earth) working with Clara, Danny is definitely likable.  There is a mutual attraction between Danny and Clara, but male love interests tend to take a backseat to The Doctor. Hopefully he won’t suffer the fate of previous companions Rory (Arthur Darvill) and Mickey (Noel Clarke) – chasing after women who appeared to love The Doctor more.

Given what little we know of Danny’s past, he was in the military and he suffered a great loss. It is likely, knowing how The Doctor feels about soldiers, there’ll be friction when they finally meet. However, there was friction with The Brigadier (played by the late, great Nicholas Courtney) too, and he went on to become one of The Doctor’s greatest friends and allies.

Perhaps Danny will take on the more traditional role some early companions filled (like Ian, Steven, Ben and Jamie). Once The Doctor(s) started growing younger, male companions started to to become somewhat obsolete, often sidelined, landing themselves in dungeons (like Mark Strickson’s Vislor Turlough, whom I quite liked), or dead (like Matthew Waterhouse’s Adric). As a side note, I would be fascinated to see a companion like C’Rizz (portrayed by Conrad Westmaas in the 8th Doctor Big Finish Audios) on screen.

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Zawe Ashton as Journey Blue

Clearly, there is a traumatic event in Danny’s military career that he doesn’t want to talk about, something that still haunts him, and we’ll learn more as his story comes to light. The chemistry between Danny and Clara seemed a bit rushed and I couldn’t help but get a Coupling vibe from their interaction – after all, Moffat and his wife, Sue Virtue, produced Coupling (which reminds me, I still want to see Richard Coyle on Doctor Who, but I digress).

Even though I quite liked Danny, I think it would have been interesting to see a female soldier like Journey Blue (portrayed by Zawe Ashton) on board the TARDIS to challenge The Doctor at every turn. For some reason, I can’t help but recall Brigadier Winifred Bambera from Battlefield – the first female soldier to make a noteworthy appearance in the Whoniverse. I wonder what she’s up these days? But I digress… as I often do…

The Mysterious Missy…
There have been so many theories about her identity at this point, I’d almost rather not venture a guess. I’ve heard everything from The Master to The Rani (I would like to see her return), to Romana (another character I’d welcome from the Classic era) to an embodiment of the TARDIS herself, but with Doctor Who anything is possible, so I won’t lay odds just yet. Keeping my cards close to the vest, but let’s just say I feel like we’ve been in that Garden before…

Final Thoughts…
I’ve observed that Capaldi exudes the irritability of Harntell, with the alien madness of Tom Baker. Truth is, I see shades of all the Doctors – as it should be – and Capaldi, as a fan of the series himself, clearly embodies the spirit of all that has gone before.

As he was quoted as saying in an interview during the recent Doctor Who World Tour:

“I think this show’s kind of in my DNA. I think it’s sort of part of me. So I think I can recognize when it’s right and when it’s not right.” – Peter Capaldi

That being said, I rather enjoyed Into the Dalek. It was a good follow up to the season opener. We gained more insight into The Doctor’s personality post-regeneration and the demons dwelling within him. I’m eager to learn more as future episodes unfold.

NEXT UP: This week The Doctor meets the legendary Robin Hood (Or does he?) in Robots of Sherwood, guest starring Tom Riley from Da Vinci’s Demons. I can’t wait for this one.

Doctor Who airs Saturdays on BBC America 9pm/8c.

Here is the trailer for Robots of Sherwood.